Landscape and Identity

It’s hard to believe it has been fourteen years since the events of 9/11. The college freshmen I was teaching that semester are now in their early thirties, and one can only wonder if that event was formative for them. Certainly for the kids from New York and New Jersey, I imagine they were. I remember one student describing looking out her window at home, over the river to see Manhattan’s high rises, and then going home for Columbus Day weekend and her crucial landmarks were just gone.

It is unnerving when our landscape just disappears. It robs us of our anchors, the margins of our world that tell us which way is up and down and left and right. Perhaps that is one reason the Budweiser tribute to the victims of 9/11 from five years ago is so affecting.

An even more powerful example of this is the Japanese tsunami four years ago, when the sea rose up and ate whole towns and villages, leaving over 15,000 people dead, 340,000 people displaced and 24-25 million tons of rubble and debris. I cannot imagine returning home to see only barren broken land, shorn of natural and built environment, stranded in rubble and mud.

The flip side of all this loss are the barely visible landmarks by which we make our way through our familiar environments. I remember coming home to New England after spending more than two years in Japan and being amazed at all the church steeples everywhere I looked (or so it seemed). Although I started out Roman Catholic, the ubiquitous white wooden Congregational church steeples were like architectural punctuation telling me that this geography is a sentence I understand how to read.

And now, working at Massachusetts Institute of Technology after my time in Japan many years ago, I cannot pass under an apparently nameless concrete gate next to the Wiesner Building without thinking of all the torii gates I saw in Japan, particularly the most famous on out on the water near Miyajima. You can leave a place, but it doesn’t always leave you.

Itsukushima_Gate

Busy, Busy, Busy

boynton chickens

Well, the S word is almost over and then the F word will be upon us, so I was at Northeastern University today, moving all my books and other stuff from my old office to a new office. I will be in a chicken coop with half the space and twice to three times as many more chickens, hoorah. (Yes, that is sarcasm.) Also I will be going from a situation where the computer : user ratio will go from 1:1 possibly down to 1:3.

And I finally remembered to get my dress shirts from the laundromat, so now it is “simply” a matter of updating my syllabus and the Blackboard site to be ready for my students. And let my students know about the pre-semester essay they have to write. And probably a bunch of things I won’t remember until after the first day of classes, even though I have plenty of time.

Nobody here but us chickens.

Snoopy and the Elephants

snoopy-on-rejection

Well, apparently August 10 was Snoopy’s 63rd birthday. He’s lookin’ pretty good for his age, isn’t he? There are many reasons to love Snoopy: his Walter Mitty personalities, his absolute Teflon response in the face of rejection letters for his novel, his dance. But, like the newly revived Bloom County character Binkley (and his human companion, Charlie Brown), Snoopy often worried about the future. Admittedly, in the next panel he might be flying off as the valorous World War I fighter pilot, but still.images

I think of this today because it is World Elephant Day, and Elephants, like so many wild animals are endangered by poachers who kill these gentle giants for their ivory tusks. One way people have been forestalling this evil is by putting money dye on their tusks to turn them pink, leave the elephants unharmed, and make the ivory useless to the poachers.

scared-little-baby-elephant

The increased interest in palm oil is threatening other elephants, whose habitats are being bulldozed, but you can help sign the petition here: http://a.ran.org/r2i

The Lovely Blog Award!

one-lovely-blog-award

I was just nominated for the Lovely Blog Award by the lovely Writer Chick! Thank you for that, Annie.

The instructions are simple:

  1. Thank your nominator, if you’d like.
  2.  List 7 facts about you
  3. Nominate 15 blogs for the award

So here goes:

Seven facts about me:

  1. I once played the trumpet, but I never practiced enough.
  2. My cat is named after 16th century Japanese swordsman extraordinaire, Miyamoto Mushashi.
  3. My Musashi has had a blog for years, http://musashiguide.blogspot.com/, but has been oddly lazy about writing for it since I took up writing this blog…
  4. My party trick is writing sestinas, or, failing that, stealth refrigerator poetry.
  5. I have over 900 books, even with a yearly culling.
  6. I can pretty much identify Buffy the Vampire Slayer quotes by season and episode.
  7. I can still read some French and speak some Japanese, so basically, I have 1.8 languages.

+8. BONUS: This picture is what I did on Saturday: Boston ComicCon 2015!

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Here are the blogs I will nominate:

  1. How to Fangirl for Adults
  2. Art-Colored Glasses
  3. FEMINI
  4. rachelmankowitz
  5. BY LAUREN HAYLEY
  6. annemichael
  7. Wine and Cheese (Doodles)
  8. Thomas H Brand
  9. writingtutortips
  10. heylookawriterfellow
  11. Meredith With Her Mouth Open
  12. Emily is an adult
  13. Alycat
  14. Luna, the Little Chomper
  15. Author Matt Bowes and the Dog’s Breakfast

And in Honor of Amelia Earhart’s Birthday Last Week

 amelia

So I wrote this admittedly brilliant little poem in a white heat on the train in to my summer job many years ago. It is one of the few poems that I only sent out once before it got published. Sometimes the magic just happens. I originally wrote it as a prose poem and that is how it was originally published. In the coming book it will appear as free verse. I like it better this way. There is more nuance with real line breaks. It is rare that I get chills reading something I wrote, but this one is special.

.

Flying Lessons with Amelia

.

I met her the day of her first crash.

The stars in my eyes reflected the flash

of the cameras, the sun kissing her

silver pocket compact. The photos,

shades of grey, didn’t do her justice.

Storm clouds only capture spring

by reversing its leaves, tearing them

away. At all altitudes she eluded capture.

In her plane, the cockpit hot with her

concentration, she parsed the spectrum for me.

You will be flying through

the chandelier of heaven. The crystal is blinding.

You must fly with eyes open. You must

be prepared for any hue. We began

with asphalt, the grey of landings and rebirths,

aged embracing arm of the runway,

creased by time, that cumulus indigo

umbrella holding us down.

Someday I will fly right through.

.

I was not her navigator. I did not drink.

I did not charm or exude animal scents

the pink of tongues and inner ears. I did not

read the stars for her. I read only the lessons

she gave me: airship lessons, the silk grey

skin of a winged beast she knew intimately,

silk white lessons of sky. But white had to wait.

Green followed grey, kelly pine jasper,

the mustard green tips of leaves

pawing at our uplift, the midnight green of dusk

landings, verdancy so gloomed there was no telling

landing strip from the shadow of the ship,

our wings jet branches gathering darkness in.

Ebony comes later, she laughed at my awe

as my mouth opened on this night,

whalecub learning to swallow sea.

First you must finger gold.

.

I never fathomed the depths of my avarice

until we flew into sun, the goggles she despised

shielding us only from its molten grasp,

not from its flames licking the edges

of things, our gauges and leather gauntlets,

the straying lock of her hair peering out

from the leather helmet. Both our noses shone,

two bloodhounds following bullioned muzzles

to the end, flying west, into noonday, solarium

studded with citrine, topaz, blinking Midas tears.

The sun veered off our wingtip, my voracity

seeping away into the stratified marble, in

to its aquamarine veins. Her wrists

when the sleeves of her leather jacket rode up.

The struts of this plane when the ivory spider

sky wove us new, a web for wind to climb

all the way into the center. Sometimes

we flew into cloud, that turbulent nothing

clawing at our wings, hissing hushed threats

to fling us down against the serrated curve of earth

She was never afraid of falling.

Another kind of flight. Another airstream

leading to another place.

Some days the clouds refused to end, pure

immortality billowing about us

like anger. But purity is illusion, she said,

a wall of water you could pierce. Open your eyes

wide. Wider. Fly right through.

.

Blue was her forté, azure stones

seen from distances, purple mountaintops

from above. But purple is imprecise.

Say rather, the ache that seeps into everything

unbendable. Clouds and grass lose hue

and youth as they lose the sun, growing brittle,

vanishing. When each lesson ended, she too

vanished, after paying me a smile and a slap

on the back. Alone in the hangar, I rested

my hands like wings on the Electra’s wings,

imagined myself wind, the ever-present

hand of air flinging her through space. I became

the airship singing, “I am her destiny, spinning

propeller pulling her forward. If she moves

too slowly, she will break upon my invisible blades.

If she is quick enough however—

O if she is quick—she will fly right through.”

.

Each time she crossed an ocean, I prayed

in glasses of water, gulping down waves, dreaming

desert. I prayed by inhaling headlines, whole

paragraphs of storm. I prayed the grey

asphalt arm reaching out to catch her.

Shallow sea. Fair winds. Safe landing.

I told her my desert dreams, the cracked argent

lips of summer singing unspeakable endings.

What does it mean, O my master?

You have not known silver until you’ve soared

between desert and a full moon. Tongue falls silent.

Music falls in sheets to the dunes, arpeggios of sand.

.

Nightflight was the last lesson,

a leisurely voyage down corridors of unlit coal

rubbing itself off on our wings. To become night,

you must let go of everything. Every time

you embrace it, you must empty your pockets

and hands. Plunging into cold volcanic depths of

sky requires valor, resolute defiance of the grip

of blindness pressed against your eyes, of the lure

of the stars you cannot fly to. Nothing.

Nothing can save you here, nothing

but the Electra beneath her tan hands

with their raised blue veins, nothing but

the changing tint of grey in the curtained cloud,

penumbra lightening in blinks of tired dark eyes.

Night was not time but distance, an endless road

winding through itself and more of itself,

narrowing as I nodded and fought to wake.

You sleep from fear, but someday you will keep

this vigil too, in the long tunnel toward morning.

.

Never in her lifetime could I keep that vigil

whole, a faithful watchman, never

until her last flight, without me,

when she slammed into sea

the way I always slammed into quartz white

day, facetted and sparking seed-suns to burn

and stab our eyes. There is a place called horizon

where gold and deep blue lie down together, fuse.

The nose of my Electra aims to be a point

upon that line. When I fly now, years later

without her, I am always flying right through.

.

Spilecki, Susan. “Flying Lessons with Amelia,” Quarter After Eight 5. Fall 1998.

Ode to a Birthday Anxiety Attack

Funnya-tiny-potatoMy heart trembles, my stomach trembles.

My hands are asking questions that my legs refuse

To answer. To look at me, you would think

I am calm, whole, demure even. You don’t hear

The chatter that is my body refuting the idea

That I don’t really need to vomit, not now.

.

Another year older and contemplating options,

That’s what does it, trying to figure out how to get

What I want, and how much I will have to change

To get what I want: to be loved, cherished, even

Just to be held, which would also help right

About now, when even my cat is out of sight.

For Lynda Carter’s Birthday

wwlc

And for That Writer Fellow, I give you a portion of a poem from the upcoming book:

Postcards from the Amazon

a celebrity correspondence

I.

My exercise routine?

I practice on

the parallel bars of I am

woman and hear

my golden lasso roar.

I beat Superman

at arm-wrestling, every time.

II.

And oh, the boys,

my colleagues: tights

bulging, faces half-hidden,

capes cracking in the breeze.

Their voices deep as a well.

Their jaws so straight and sharp

you could shave with them.

VI.

All women are gymnasts,

swinging

themselves from one necessity

to the next,

swinging, like Jane, from vines,

like me

from golden lassoes. Women hurtle

themselves

over every obstacle made by nature

or man,

break free from steel-forged chains

or do not.

This last is why women have

sisters.

Icons & Action Figures

crane38

Every once in a while, I remember what this blog was supposed to be about: poetry. How to make it, how to fix it, how to think about words and lines and tropes and all that stuff. Somewhere along the way, my recent obsession with American popular culture has kicked in, in part because, duh, Joss Whedon, but also because I am fascinated with how we construct identity and community through interacting with symbols, whether the symbols be our clothes, as my friends Meredith and Amy have recently discussed in their blogs, or music, interior decoration, or their particular fandom.

It’s not just the Greek Orthodox Church that uses icons. We all carry around in our heads the picture of a grandparent, a teacher, a college friend, a movie star, and in different ways we refer back to them at different times. Whenever I write a long piece of nonfiction, I remember my high school English teacher, Sr. Kevin White, talking about conciseness.

In my first book, which is coming along eventually, I have poems about Barbie and Ken, Raggedy Ann and Dapper Dan, Amelia Earhart, Wonder Woman, Lucy Lawless, Sam Spade, and my friends at GreenFaith. In our modern world icons and action figures are increasingly interchangeable, for better or for worse. So I don’t have to write my poetry about some incredibly high culture narrative like Paradise Lost or the Ancient Mariner. Shakespeare was popular culture once; hence all the bawdy jokes even in the tragedies. And I’m not alone in writing about women warriors: Edmund Spencer’s The Faerie Queene uses the character of Britomart, the virgin knight, to stand in for Queen Elizabeth I and British might (painting by Walter Crane). This reminds me of a folk singer who came to Middlebury College a million years ago. I still remember one of her original songs (in addition to the one about the Shrewsbury Moose):

A doll is someone who loves you,

Someone who hugs you when you cry.

I know a doll when I see one

And Rambo could be one

If he would only try!

So tell me peoples, who are your icons and action figures?CIMG1675

Testosterone Thursday

220px-Russell_Johnson_Black_Saddle_1960

So looking back at my blog today I realize that it has gotten rather estrogen-soaked, which is a shame, since it is summer, which is Buff Men Jogging Without Shirts Season (and you know how loosely I define poetry), and we really ought to take advantage of that. I was thinking about the evolution of my taste over the years, as portrayed in popular culture. As a girl, I watched Wonder Woman and Gilligan’s Island, so I had huge crushes on Lyle Waggoner (Steve Trevor) and Russell Johnson (The Professor): square-jawed American men, hard-working and smart.

More recentimagesly, I appreciate eye-candy like Daniel Craig (James Bond, etc.) or Chris Evans (Captain America). Strictly speaking, I suspect this is actually devolution. Apparently I was focusing on the right things back then and have gotten away from it since. Although the new Bond isn’t the sexist pig that most of the others have been, and Cap still has some of the better of the 1940s values (“Language, people!”) while also being a feminist.

daniel-craig-2

That’s what I am going with anyway…captain america 29oct10 02