San San, Revisited

Okay, so I am trying the form from yesterday for myself. I think that it is fair to say that I won’t be doing too many of these anytime soon. It’s a lovely little form, but it is hard to say anything much in eight lines with such a strict rhyme scheme and the need to repeat the image three times–I think I only managed two. Still it’s always worth trying new things.

images

It is the essence of the candle to provide light:

Gently calling, out of the shadows, structure,

The table you step around, the chair you sit

In. So the candle, even though it is not bright,

Protects you, enables you not to injure

Yourself, bumble around in the darkness,

Walk right into the table or even hit

The chair. This is how humble candles bless.

Prompt 14 – a san san

A new poet, Christine Cochrane, introduces us to a new form, the San San.

Christine Cochrane's avatarHarping On

Today’s prompt comes to us from TJ Kearney, who invites us to try a seven-line poem called a san san, which means “three three” in Chinese (It’s also a term of art in the game Go). The san san has some things in common with the tritina, including repetition and rhyme. In particular, the san san repeats, three times, each of three terms or images. The seven lines rhyme in the pattern a-b-c-a-b-d-c-d.

Here’s an example san san from TJ’s blog, Bag of Anything:

Drinking the driven storm, the sturdy apple
Dances, between sky and earth, her spring-young leaves.
Knowing no purpose, knowing only season,
Her spring-young leaves, storm-driven, dapple
Earth and sky; all that my eye perceives
Dances. My eye drinks in the apple’s spring-
Young leaves, her dance that has no reason:
Only the storm, driving each dappled thing.

As you can see, three images or terms are…

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Cascading Home

ABWinter_web

I learned about this form of poetry, the Cascade, from Kat Myrman. With a three-line stanza, and capital letters representing repeated lines, the form is ABC deA fgB hiC. (I have also seen this done where the repeating line is the first line of the following stanzas rather than the last, now that I think of it.) Naturally, I chose a seven-line stanza because I am a bloody showoff. Don’t go there, people, or at least not without stretching out first.

 

Home is the place where you write your name

In the dust and it remains your name,

Your dust, your cat’s pawprints telling the tale

Of small peregrinations, domestic pilgrimages.

All the books are yours. You have read them all.

You make your way from room to room in the dark

And as day recedes, your bed embraces you.

 

In other places, you wander, a stranger

Unremarked and nameless, a cipher

To those you pass by, who do not think

To wonder about your loves and dislikes.

They have their own shopping lists of worries.

Out in the world, you are ever nameless.

Home is the place where you write your name.

 

The geography of naming is such that

Your name points the way back to your birth

Or rebirth. Tell me who you are and I will

Point you toward the river whose water runs

Through your veins, calling itself blood.

Drop your name down a well or toss it

In the dust and it remains your name.

 

The story of your life would require volumes

Or a skilled raconteur with a very long string

Tied end to end and woven into itself,

A cat’s cradle of intention, obstacle, outcome,

And the serendipities that every life engenders.

Come to the window. Trace out your tale in

Your dust, your cat’s pawprints telling the tale,

 

Which would include a heroic company of friends,

Sister travelers, the wise one, the warriors,

A ring to find, a cup to destroy, some evil

To overcome, and now and then a resting place

Like this homely place, a place to pause between

The small battles and the long weariness

Of small peregrinations, domestic pilgrimages.

 

Returning home to your bed, your armchair,

Your cat sleeping on all the notes you took

On your travels, you settle in almost as if

You had never left. But now you see it

Anew: You have chosen every picture that hangs

On the walls. You have sat in every chair.

All the books are yours. You have read them all.

 

All of it is as familiar as your own hands:

Small and compact peasant hands that belie

The spectacles and teeming brain, the sword

Hanging over the fireplace. You can lay your hand

On any book you want at a moment’s notice,

Predict the pattern of new spring leaves in the window.

You make your way from room to room in the dark.

 

At dawn, both sun and cat pat your face,

Clamoring for your attention. As the sun passes

Overhead, the light turns this way and that,

Caressing doors and bookcases, chairs and the cat

Who stretches out in the bright patch of carpet.

In the afternoon, he ambles over to welcome you back.

And as day recedes, your bed embraces you.

 

Art by Laura Wilder.

Robert Frost (Even If We Read Him Right) Was Wrong

Unknown

How many generations of high school graduates have been misled into thinking that it’s always good to do things the hard way because Robert Frost is popular and many valedictorians and civic leaders have poor close-reading skills?

If we read Frost’s “The Road Not Taken” correctly, he is saying that neither of the two paths would have made a difference because the paths were functionally the same, but the speaker will claim to have been a pioneer when he is old and bragging to his grandchildren in a rocking chair on the porch, who will believe him, the little nitwits, because he will have so much darn gravitas, so who’s going to say he’s wrong?

 

The Road Not Taken                        by Robert Frost

 

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

 

Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

 

And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

 

I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I—

I took the one less traveled by,

And that has made all the difference.

 

But are two paths ever the same? And if they are, are we ever the same walking down them? How much is the ground we are walking on and how much the weather and the clothes we chose to wear? How much the terrain itself and how much our choice of footwear? It occurs to me that this could be leading us into philosophy—gaah!—and it might be safest for us all if I just put my head down until the feeling goes away.

But I think it’s never only two roads, the right one and the wrong one. It’s about the million roads, all of them well trodden, and we simply have to figure out how to choose the one most likely to lead us home. Which of course necessitates how the hell to figure out what we mean by “home.” And it’s about how, when we look back, we reinterpret the past to make it look more coherent, more intentional, more like we planned the good outcomes. Yes, I meant to do that! (Suuuure you did…)

Readers Reply with Hue and Cry!

In response to my little rant the other day about rhyme, I received the following poems, the first from 10000hoursleft (also known as Mek):

After looking up the meaning of profundity
I came to the conclusion you’d likely be
Lumping me in
Oh for my sin
With those in the 98 per cent
Who keep aiming for ascent
To the lofty heights of the minority
To be a 2 percenter my priority
Joys of creative expression
Need not get a mention
Now, I’ll have to stop rhyming

 

And the second from Mike Allegra over at heylookawriterfellow:

Master sculptor, bearing chisel,
Paused his work so he could wizzle.
And so the marble had to wait,
For sculptor to evacuate.

5135_A-Sculptor-BW2

(Drops mic and strides purposefully toward the exit.)

 

So I offer here as an apology a sloppy English sonnet. It’s got the rhyme scheme, but I dropped that whole iambic pentameter thing because I am tired after a long day’s work, and iambic pentameter would just be too much on an empty stomach at 7:41 pm.

Apology

I pick up the mic dropped there by Mike

And scanned the sky for ascended Mek.

They used dread rhyme in a way I like

Unlike those whose Yules get decked.

You see, the Food Network is to blame

For my Poetry Traumatic Stress Disorder.

Their December hacks of Clement Moore

Send me screaming to the border.

It seems that rhyme may perhaps have uses

For getting the poet’s ideas across.

It’s not just used by silly gooses;

Sometimes its users are just the boss!

So I will try to embrace the rhyme,

But please, Lord, please, not all the time.

Beyond “Dover Beach”

 

s2_lm_xena2

So this April I am mixing my poetry with lots of cool poetry by people who are not me, the famous and the not-so-much.

Matthew Arnold’s best known poem is “Dover Beach,” written on his honeymoon in the south of England while war was going on (Napoleon?) on the Continent. But he wrote other stuff. This poem has the weird rhyme scheme: ABBB, CDBD, EFFF, GHIH, JKLK, MBMB, NONO, PBPB, QQBB. I am pretty sure this is not a classical rhyme scheme. I think he was just messing with us to get his point across, and having been born way too early for modernism, used rhyme anyhow because there were no other options.

Self-Dependence

Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel’s prow I stand, which bears me
Forwards, forwards, o’er the starlit sea.

And a look of passionate desire
O’er the sea and to the stars I send:
‘Ye who from my childhood up have calm’d me,
Calm me, ah, compose me to the end!

‘Ah, once more,’ I cried, ‘ye stars, ye waters,
On my heart your mighty charm renew;
Still, still let me, as I gaze upon you,
Feel my soul becoming vast like you!’

From the intense, clear, star-sown vault of heaven,
Over the lit sea’s unquiet way,
In the rustling night-air came the answer:
‘Wouldst thou be as these are? Live as they.

‘Unaffrighted by the silence round them,
Undistracted by the sights they see,
These demand not that the things without them
Yield them love, amusement, sympathy.

‘And with joy the stars perform their shining,
And the sea its long moon-silver’d roll;
For self-poised they live, nor pine with noting
All the fever of some differing soul.

‘Bounded by themselves, and unregardful
In what state God’s other works may be,
In their own tasks all their powers pouring,
These attain the mighty life you see.’

O air-born voice! long since, severely clear,
A cry like thine in mine own heart I hear:
‘Resolve to be thyself; and know that he,
Who finds himself, loses his misery!’

April is the National Month of Poetry!

April is National Poetry Month. What that means is that a whole shitload of folks are going to be trying their hands at poetry for the next 20 days. That is a fantastic thing because 2% of them are going to make great art and discover a talent they didn’t know they had and their lives will turn into a frenzy of rainbows because of it. Like this:

rainbow_patches-300x180

And for that reason I will not, I swear, complain about the other 98% who are going to attempt 1) rhyme, 2) paragraphs cut up into three to seven word chunks per line, and 3) stabs at profundity.

I will not complain! I will not! Much.

Instead, I will try to be a bigger person and simply point to the poets who have shown me the way. Like the poem by Eliza Waters:

color was how
the world
sprang to life

to which I responded: “I love your poetry. You cut away everything that isn’t poetry and leave us with just the explosion of meaning. Thank you for that. We need you now more than ever in National Poetry Month, when a whole lot of people will be using all the other words you cut away and calling it ‘poem.'”

Footnote Poem

Texas Falls

Thirty years ago, right around now, when the spring had announced itself in birdsong and melted snow, my friend C. and I jumped into his red* convertible and headed for the mountains. Damp air enhances scents, like the fertile musky smell of cowshit** that tells you that now, now, finally, winter is over. The pale grey road wound uphill. The trees were in bud, all the pale greens stepping out to wave hello to us, and goodbye. We drove onward, with neither map*** nor plan, but only a sense that spring requires a journey and a breeze ruffling your hair. On the edge of the road, a brown sign proclaimed “Texas Falls” even though we were deep in Vermont. We left the car, strolled among the trees, every footstep sending up a waft of dead pine needles. Our feet made no sound**** so the waterfall never heard us coming over its quiet splashing roar. The sun, so golden between the leaves, came through them with emerald light, both water and sunlight spraying us with blessings.

*Was the convertible red? Was it black or blue? Do I recall it as red because of the intensity with which the mountains were painting themselves green?**Herbivores’ doings smell like grass and wildflowers and the mud that comes from mixing summer and snow and the long grey of January and February, and then adding sunlight and warmth.***When they tell you the map is not the mountain, they are right. Maps are conquistadors of the fallen, flattening and denaming the things that know for themselves what they are. The worn folds also erase the world in lines that intersect like a****Sounds in the forest are hushed, like a library whose books are stones and birdsong.

Spirals, Truth, Reconciliation

Some intriguing thoughts from Shimmy440. I love the ideas of spiraling and self-reconciliation.

shimmy440's avataredge of the bell curve

Today my head is a shed.

My post title lacks coherence, as I suspect will most of the following.

Last night I was at a party, to assist some friends with the filming of their annual spoof YouTube Christmas Video. Beer was involved, as well as horse heads and pandas. I did a turn as a fake Jewish pianist (doubly fake as I am neither Jewish nor a pianist but…oy vey).

At one point in the proceedings I flicked on my phone to check for messages and while I was at it checked WordPress to access the feature that gives me activity stats. How many views etc. A close friend asked what I was doing and commented “I didn’t think you did this for the positive strokes….”

Well, I don’t.

Over the last few weeks I have on three separate occasions been inspired to toss the South African Truth and…

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